//keep this first line below unchanged, as separator use {---} S=` [P=50,50,0,3,50,0,1,75,0][T=105][M=-5] { Happy Birthday To You! 😃 🎂 💐 😊 } ----[-] g g [C'] a _ g _ [C'] c _ [G] h _ {Hap-py Birth-day To You! 💐} _ _ [-] g g [G7] a _ g _ [G7i] d'_ [C'] c _ {Hap-py Birth-day To You! 🎂} _ _ [-] g g [C'] g'_ e _ [Ci'] c _ [F'] h _ a _ _ _ {Hap-py Birth-day My Sweet-heart! 😊} - - [d'] f'f [C'] e _ c _ [G] d _ [Ci] c _ _ _ _ _ _ _ _ _ {Hap-py Birth-day To You! 😃} {---} [P=80,40,0,3,40,-10,2,70,10][T=100][S=66] {Chords} [X=36,40,69][Z=1,4,2,4][V=35,55,0,-12,1061_51-] {you can click on "play", then on "pause" and then on the chord to see chord notes in detail} {6th chords} [C']---[C6']----- {"minor" minor sixth chord "Amb6"} {imho the convention (what the "minor sixth" chord is) is faulty} {but I go along with it to keep this notation compatible with the standard} [a]---[a6-]----- {instead of writing "n" times "-" you can also write "-n", i.e. "-3" for "---" and "-5" for "-----"} [F]-3[F6]-5 {here comes a "G power chord", notate as G5 or G0} [G5]-3[G6]-5 {Em add9, Em sus2, Em add2} [e9]---[e2]---[e9I]-- {Am 9th and 7th chords} [a79]---[a7]----- {diminished 7th, half-diminished and major 7th chords} [h-7]--[h-7+]-[H7]----- {E major sus4 (add8), E major sus4 7th, E major 7th and E major in different inversions with octave shift} [E48]--[E47I]-[E7II]--[EI']-[Ei']-- {the same again in conventional chord notation with minor chords uppercase letters with added m} {click on transpose to change conventional chord notation <-> shorthand chord notation} {6th chords} [C']---[C6']----- {"minor" minor sixth chord "Amb6"} {imho the convention (what the "minor sixth" chord is) is faulty} {but I go along with it to keep this notation compatible with the standard} [Am]---[Am6-]----- {instead of writing "n" times "-" you can also write "-n", i.e. "-3" for "---" and "-5" for "-----"} [F]-3[F6]-5 {here comes a "G power chord", notate as G5 or G0} [G5]-3[G6]-5 {Em add9, Em sus2, Em add2} [Em9]---[Em2]---[Em9I]-- {Am 9th and 7th chords} [Am79]---[Am7]----- {diminished 7th, half-diminished and major 7th chords} [B°7]--[B°7+]-[B7]----- {E major sus4 (add8), E major sus4 7th, E major 7th and E major in different inversions with octave shift} [E48]--[E47I]-[E7II]--[EI']-[Ei']-- {---} [P=80,50,0,3,40,-10,2,70,10][T=160][S=66] {Chord rhythm example} [X=40,41,43,35,36,38,62,65][Z=1,2,4,8,16,32,64,128] [R=6__6__6__6__6_6_] [e7]e,,,_----ee-------- [e7]de----de-------- [d7]d_----dd-------- [d7]cd----cd-------- [e7]h'''_a_h___________ [e7]---ge_f#_g___h___ [d7]a_g_a___________ [d7]---------------- [e7]h_a_h___________ [e7]---ge_f#_g___h___ [d7]e_daf___________ [d7]---------------- {---} [P=80,50,0,90,50,0,2,60,0][T=88][M=0] {Chordies V and W} {two available chord dependend voices which are independent of actual chord inversion} [a]e,gacdega {pentatonic scale notes} [aI]e,gacdega [G]d,,egahdeg [ai]e,gacdega [V=33,80,-30,-12,1061_578] {the bass will always get the right notes (6/7) for minor/major chord} [W=1,90,30,12,12345678] [a]a,hcdeg,g'a {pentatonic scale notes + 2 & 4} [aI]-------- [G]g,ahcde,e'g [ai]-------- [W=1,90,30,12,01358985] [a]e,aceacae {arpeggios} [aI]-------- [G]d,ghdghgd [ai]-------- {---} [T=120][M=0] {Can you figure out ...} c,,,, - c - c - c - c - c - c - c - {... how to change the style of the keys?} c''''''' - c - c - c - c - c - c - c - {... how to dim the light?} {---} [P=50,50,0,3,50,0,30,75,0][T=100][M=0] {How good are your Guitar improvisation skills? Try it out here!} [V=35,50,0,-12,1061-061] [X=36,40,69][Z=1,4,6,5,1,4,6,4] [a]9 [a7]9 [Dii]9 [Di]9 [Ami]9 {custom notation for minor chords by adding 'm' can be used} [Am79]9 [Diii]9 [Dii]9 {click on loop} {---} [P=50,50,0,3,40,0,1,80,0][T=95][M=-2] {👦 Billy Boy 👦} [J=5,50,-45,-12,1][K=5,50,15,0,-1][K=31,55,0,-24,3][L=5,50,45,0,-2][K=1] [X=36,40,54][Z=1,4,2,4][V=35,75,0,-12,1_011_0-][U=31,55,0,0,5__-5__-5_5_5_--][Q=25,55,-15,0,19] [Cii]----[Fi]----[Cii]--[Fi]--[Cii]- -[-]ef[U=0][Cii]g_gg[Fi]c_e,f[Cii]g_[Fi]ga[Cii]g {O-h, where have you been, Bil-ly Boy, Bil-ly Boy? 👦} _ef[Cii]g_gg[a]c_e,f[dii]ed__[G]-[J=0][K=2][L=0] {O-h, where have you been, char-ming Bil-ly? 🌎} -de[dii]ffff[G]f_gf[Cii]ed[e]ef[a]g {I have been to seek a wife, she's the jo-y of my life 👧} _ca[dii]g_ef[G]gfdh[Cii]dc__[Cii]-[K=1][L=1] {She's a young thing and can-not leave her mot-her 👩‍👧} _[-]ca[Cii]g_eg[G]gfdh[Cii]dc__-[J=1] {👩‍👧} -e'f[Cii]gggg[Fi]c_e,f[Cii]g_[Fi]ga[Cii]g {Did she ask you to come in, Bil-ly Boy, Bil-ly Boy? 👦} _ef[Cii]gggg[a]c_e,f[dii]ed__[G]-[J=0][K=2][L=0] {Did she ask you to come in, char-ming Bil-ly? 🏡} -de[dii]ffff[G]f_gf[Cii]ed[e]ef[a]g {Yes, she asked me to come in, there's a dimp-le in her chin 👧} _ca[dii]g_ef[G]gfdh[Cii]dc__[Cii]-[K=1][L=1] {She's a young thing and can-not leave her mot-her 👩‍👧} _[-]ca[Cii]g_eg[G]gfdh[Cii]dc__[M=1][Gii]-[-][J=1]{👩‍👧} -[GI]e'f[Cii]gggg[Fi]c_e,f[Cii]g_[Fi]ga[Cii]g {Can she make a cher-ry pie, Bil-ly Boy, Bil-ly Boy? 👦} _ef[Cii]gggg[a]c_e,f[dii]ed__[G]-[J=0][K=2][L=0] {Can she make a cher-ry pie, char-ming Bil-ly? 🥧} -de[dii]ffff[G]ffgf[Cii]ed[e]ef[a]g {She can make a cher-ry pie, quick as a cat can wink an eye 👧} _ca[dii]g_ef[G]gfdh[Cii]dc__[Cii]-[J=1][K=1][L=1]{She's a young thing and can-not leave her mot-her 👩‍👧} _[-]ca[Cii]g_eg[G]gfdh[Cii]dc__[M=1][T=1][GI]-[-]{👩‍👧} -[Gii]e'f[Cii]g_g_[Fi]c_e,f[Cii]g_[Fi]ga[Cii]g {Ho-w old is she, Bil-ly Boy, Bil-ly Boy? 👦} _ef[Cii]g_g_[a]c_e,f[dii]ed__[G]-[J=0][K=2][L=0] {Ho-w old is she, char-ming Bil-ly? ❓} -de[dii]ffff[G]ffgf[Cii]ed[e]ef[a]gg {Three times six and four times se-ven, twen-ty-e-ight and e-le-ven 👧} ca[dii]g_ef[G]gfdh[Cii]dc__-[-]---[J=1][K=1][L=1]{She's a young thing and can-not leave her mot-her 👩‍👧} [T=-9][Cii]g___[G]e_d_[Cii]c_[Fi]__[Cii]_[-]--[Z=0]-{👦} {---} { Meaning and function of diminished seventh } { "Music theorists have struggled over the centuries to explain the meaning and function of diminished seventh chords." } { source: https://en.wikipedia.org/wiki/Diminished_seventh_chord } { diminished seventh is an ambiguous chord of internal tension (depends on context) } { one function: merging minor subdominant and major dominant in harmonic minor scale } { which resolves to minor chord or major chord (Picardy third) } [d]-4[E]-4[a89+,]-8 [d]-2[E]-2[d]-2[E]-2[a89+,]-8 [d]-[E]-[d]-[E]-[d]-[E]-[d]-[E]-[a89+,]-8 [d-7]-4[d-7]-4[a89+,]-8 [f]-4[GI]-4[C8]-8 [f]-2[GI]-2[f]-2[GI]-2[C8]-8 [f]-[GI]-[f]-[GI]-[f]-[GI]-[f]-[GI]-[C8]-8 [d-7]-4[d-7]-4[C8]-8 {---} [P=90,50,0,3,75,0,1,75,0][T=111] [M=4] { Beethoven adaptation - Modulation Sonata (WIP, unfinished) } [a08,] e,,a c e, a c e, a c e, a c [a07I8,] e, a c e, a c e, a c e, a c [F08,] f, a c f, a c [Hbi80,,]f, hb d f, hb d [E08,] e, g# d e, a c e, a h [E08,] d, g# h [a08,] c, e a e a c a c e [a] c e [a] a [Ei] e, h' d e, h' d e, h' d [Ei] e, h'[Ei] d [a] e, a c e, a c [dI'] f, a d f, a d [CI'] e, g c e, g c [G7I] f, g h [G8] d, f g [Ci] c, e g c, e g c, e g c, e g [M=-4] [e] e g h e, g h e, g h [eii] g h [eii] e [G7i] g, d' f g, d' f g, d' f [G7i] g, d' [G7i] f [C'] g, c e [M=2] [dii] f, a d [f-7i] f, h' d [E7i] e, h' d [a] e, a c e, a c [dii] d, a' h [di] d, f a [a] e a c e, a c [E8] e, g# h e, g# h [a08,] a c e a, c e a, c# e [M=5] [E8] e, g# h [F7+i] e, a c[a08,,]e, a c [ai08,,]e, a c [a-] e, a c [E8] e, g# h e, g# h e, g# h [E8] e, g# h [F7+i] e, a c[a08,,]e, a c [ai08,,]e, a c [a-] e, a c [E8] e, g# h e, g# h [e-7i] e, g hb e, g hb [M=2] [E7] d, g# h d, g# h [aI] c, e a c, e a [Hbi,] hb,d f hb,d f [a-7i,] a, c eb a, c eb [a,] e, a c e, a c [E4i,] e, a h [Ei,] e, g# h [a8,,] e, a c a c e c e a [a] e a [a] c [E7i] e, g# h e, g# h e, g# h [E7i] e, g# [E7i] h [a8I] e, a c e, a c [f#-7] eb,f# a [a8I] e a c [M=-5] [E8I'] h e g# h, e g# h, e g# [E'] h, e g# [ai8] c, e a c, e a [h-7+] h, d f [a-7] a, eb f# [E8I] e g#,h[E08,]e g#,h [F08,] f g#,h [d08,] d g#,h `; //keep this last line above unchanged